18/07/18 Filed in: Cinema
We saw the first Incredibles film back in 2004 and, besides enjoying it immensely, we were amused that the two heroes, Bob and Helen, shared the same names as us. Naturally with the release of the sequel we had to see it and we went last Friday on its release date.
Superheroes have been made illegal, or at least their superhero activities have. So when Bob and Helen leap into action to stop the Underminer robbing the city bank, causing an immense amount of collateral damage in the process, the government shuts down the Superhero Relocation Program, leaving them and their three children without financial assistance. Their superhero friend, Lucius Best (Frozone) tells them about an offer he's received from Winston Deavor, a super-rich superhero fan. Deavor's idea is to arrange a publicity stunt that will rekindle the public's support for Supers.
12/07/18 Filed in: Amazon Prime
Not to be confused with the 2000 film of the same name starring Johnny Depp and Juliette Binoche, this is in fact the story of Rafael Padilla, a Cuban born negro who became a celebrated clown in Paris at the turn of the 19th Century. Omar Sy plays the clown Chocolat, a name he comes to despise because he finds it denigrating. But ,unfortunately for him, the attitudes of the time towards coloured people were unlikely to change simply because he rejected his circus name.
The makers of this film have significantly changed some of the historical details but the thrust of the story remains true. In his association with the clown George Foottit, a Parisian star, the duo become great favourites with audiences. Chocolat is Foottit's knockabout sidekick, who endures his somewhat demeaning role with a smile. Until, that is, he starts to resent his treatment while at the same time aspiring to greater things, such as playing Othello! But are the Paris audiences ready for this?
27/06/18 Filed in: DVD
This film didn't appear at our Cineworld on its release, so we had to wait for the DVD. Helen has a keen interest in couture and we both recognise the brilliance of Daniel Day-Lewis in the way he completely inhabits the characters that he plays. Added to this were some extremely strong reviews, although it probably wouldn't be to everybody's taste.
Day-Lewis plays Reynolds Woodcock, who in 1954 London creates haute-couture for the select few who can afford it. A perfectionist, he is fastidious and totally absorbed in his craft as he manages The House of Woodcock. He is helped by his sister, Cyril, who often acts as a mediator at times of his peak irascibility. It seems that women pass through his life, providing inspiration and companionship, but he remains a confirmed bachelor, believing that marriage would inhibit his creativity.
18/06/18 Filed in: Amazon Prime
I'm not sure what the title Après le sud alludes to, but the English title, Heatwave, perhaps better describes the film. Set in the south of France on a sweltering hot day, we follow the lives of four people. A series of largely unrelated events lead to tragedy, but first the director sets the scene by introducing us to each of these people. Before the credits roll, we see Georges, an elderly man, who is lovingly cleaning his shotgun in his flat. This perhaps foretells of trouble to come, but at this stage everything is quite innocent.
After the credits we move to the apartment of Amélie, and her mother Anne. Anne is grossly overweight and we're treated to a very explicit view of the two women as Anne gets in the shower after Amélie steps out. Typical French realism. Amélie leaves for her summer job in a supermarket, while Anne, after a few household chores, sets off in a taxi. She leaves a message saying she's going to Aix, but in fact is headed for a clinic in Marseilles for gastric band surgery to control her weight.
13/06/18 Filed in: Amazon Prime
Liliane works in a paté factory, her job being to place items of garnish on terrines of paté as the final part of the process. It is repetitive and mind-numbingly boring. In the evenings she sits alone at home, having a drink or two and watching the TV. Then one day, Jean, a temporary worker arrives and immediately feels that he recognises Liliane as a once famous singer who, with her song Souvenir, was just pipped for victory by ABBA at the Eurovision song contest.
Liliane assures Jean that he is mistaken, but he won't be dissuaded. Eventually his insistence causes Liliane to miss her bus, allowing Jean to take her home on his scooter. When Jean doesn't turn up for work one day, Liliane goes to find him. It transpires that Jean's father is also a great fan of Liliane, or Laura as she was then known. Jean's mother is, however, less than impressed. After a lot of coaxing Jean persuades Liliane to perform at a local club, where she is a great success, especially in the eyes of Jean's father.
26/05/18 Filed in: Cinema
And so the saga continues, although this time it's Han Solo's story. One could feel that they are squeezing the pips out of the franchise, but in fact it's not a bad yarn, and it has the look of the original trilogy, which also can't be bad. Although with an estimated budget of $250 million, it ought to be good.
We begin on Corellia, a ship-building planet where the young Han is a scrumrat, surviving on his wits in a world of criminality. His love is Qi'ra, also a scrumrat, and Han has a plan to get them off Corellia. He has stolen a phial of extremely valuable hyperfuel, which he uses as a bribe to get them on an outgoing transport. But as the gate closes Qi'ra is grabbed by their pursuers, and Han has to leave without her. He vows to return.
Volunteering for the Imperial Flight Academy, he is accepted, somewhat easily I thought. But he is expelled from there and ends up an infantryman, which as we know isn't the the safest ticket in town. In an attempt to escape he tries to blackmail a group of criminals by threatening to expose them, but all this achieves is him being fed to the 'beast'. The beast, however, turns out to be none other than Chewbacca, and Han's ability to speak a bit of Shyriiwook enables him to 'make a deal' and both of them break free. At this point the leader of the criminal group, Beckett, decides that the two of them might be an asset on a 'job' they have planned, and he takes them on board.
18/05/18 Filed in: Cinema
This film continues the story from the first Deadpool, which I thoroughly enjoyed. Rather than repeat all the reasons why I enjoyed it, I would refer you to that first review, which sets the scene nicely.
This time we start with Deadpool in a thoroughly suicidal mood after the love of his life, Vanessa (aka Copycat) is killed by one of the low-lives he had previously tried to take out. But Deadpool is seemingly really indestructible, to the extent that being atomised by barrels of high explosive still doesn't do the trick. Instead his bits are recovered by Colossus from the X-Men and taken to the X-Mansion for him to recover, or should we say regenerate. He agrees to be a trainee X-Man to moderate his rather extreme style. His first assignment is to an incident at the Mutant Re-education Center, where a young mutant, Russell, aka Firefist, is threatening all kinds of retribution. This doesn't go well, Deadpool siding with the young boy and taking a lethal view towards the staff of the establishment. This results in Deadpool and Russell being arrested and incarcerated, high-tech neck bracelets being used to negate their superpowers.
15/05/18 Filed in: Amazon Prime
Back to Amazon Prime and French films, the latest being this biographical story of the friendship between Paul Cézanne and Emil Zola. These schoolboy friends maintained a relationship throughout their lives, but this friendship was tempered by bad feeling when Zola, whose mother struggled financially after his father died, became more bourgeois, while the little-rich-boy Cézanne, from a wealthy banking family, wasted his genius in a devil-may-care life of women and contempt for authority. His work was consistently relegated to the Salon des Refusés, which displayed work not accepted by the jury of the Paris Salon.
In matters of love, or more correctly sex, Cézanne has no problems while Zola's timidity prevents him from approaching women. He becomes entranced by one of Cézanne's model's, and mistress, who calls herself Gabrielle. As the film jumps from youth to their more mature lives, we see Zola married to Gabrielle, although she now uses her real name, Alexandrine (née Éléonore-Alexandrine Meley).
05/05/18 Filed in: Cinema
It's really fascinating to read reviews after one has seen a film. In this case they reflect the chasm that exists between the professional critics and an average audience. Quoting Peter Bradshaw, the Guardian's film critic: "Populated by Downtown Abbey graduates, this glutinous postwar rom-dram is a load of cobblers." But set against that is the 81% audience satisfaction on Rotten Tomatoes, and a packed audience at our cinema when we saw it on Wednesday afternoon, quite a rare occurrence I assure you. Its problem, if it has one, is that it's a bit twee. But compared to some of the other stuff reaching the cinemas lately, it was quite a delight to watch.
Set in Guernsey immediately after the war, with flashbacks into the time of occupation, it is based around the unlikely sounding Guernsey Literary and Potato Peel Pie Society. The society was started in a moment of crisis, when a group of residents were stopped by Germans during the evening curfew, and needed to come up with a reason for being out. The Potato Peel Pie aspect comes from the fact the islanders were close to starving, the said dish being one of their efforts to feed themselves.
15/04/18 Filed in: Cinema
After a bit of a break from the cinema, this week I saw Isle of Dogs. The trailer had intrigued me and I was looking forward to seeing something a bit different from the mainstream offerings. It was screened during the children's school holidays, which may have tempted some parents to take their little ones to see it. However, apart from being an animation with lots of dogs, I don't think that this film is aimed at children. As if to prove the point, a couple sitting next to us with their daughter left after about 20 minutes. I'm not sure whether it was the child or the adults who so quickly became disillusioned with what they were watching, but the utterances suggested that it wasn't what the parents were expecting.
It's a stop-motion animation, with the dogs having a very life-like appearance, save perhaps for their overly glassy eyes, that occasionally shed tears. The location is Japan, and the 'human' dialogue is Japanese, which often isn't translated. Instead we rely a commentary. The dogs, however, have an impressive cast of English language 'speakers', including Bill Murray, Tilda Swinton, Jeff Goldblum, Greta Gerwig and a very sultry sounding Scarlett Johansson as the former show dog Nutmeg; who's tougher than she looks. There's also a contribution from Yoko Ono, playing the research scientist Yoko Ono!